5/20/2023 0 Comments The extraordinaries flash fire![]() ![]() ![]() To hear this and more conversations with your favorite TV and film creators, subscribe to the Toolkit podcast via Apple Podcasts, Pocket Casts, Spotify, or Overcast.Īssociative editing, where similar-shaped images inside the frames of two shots create the logic for cutting between them - even if they’re happening at different places and different times - came out of Maurice Krafft’s camerawork organically. Listen to the entire discussion below or read on for excerpts from the conversation. We embraced some of the hallmarks of that movement in how we edited the film associatively, in the music choices, and in kind of the sense of play as well.” So that also really helped to inform our direction. And that made us think of the French New Wave films that were becoming very popular as Katia and Maurice themselves were coming of age, and French New Wave aesthetics really show up in their own work. “The other thing too that is contained in that sentence it’s not just a love story, it’s a love triangle between Katia and Maurice and volcanoes. What Rob Zombie Learned from ‘House of 1000 Corpses’: Take His First Instinct and ‘Do the Opposite’ ![]()
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